All the recordings I published on BHO were made with Bart's Mystery Wood installed. Period. I got back in touch with David and ended up receiving an Osage Orange capped Maple bridge along with an Ebony capped Maple one. The clarity, tone, and power achieved through using this mystery wood blew my socks off.especially when this bridge gave my Vega a BOOMING 4th, which I had been unable to find previously. What I like about them is they are consistent and the notes on my banjo's are very clean, clear right up the neck (or any where that I play them) and it amplifies the sound of my banjo's . A fantastic product backed up by great communication/ advice and timely shipping/ delivery. This bridge with my setup produces amazing tones, still "old time" plunk but with incredible, full rich clarity over the entire fretboard. At $10 you cannot beat this bridge. It's built like a brick outhouse; I can't imagine that it would ever need replacing. You could'nt deal with a nicer guy than Tim and he has a nice selection of different woods, he'll make them whatever height you want, Crowe spacing,Radius top and bottom, and his workmanship is beautiful. bridgesshipped fastidenticalsize and highest qualityperfect for my nylon stringsI would buy again in a heartbeat. I know I don't have alot of experience playing but I know great sound when I hear it. I have had the z/k on for about 6 weeks, originally going to let it settle in for a few days, but I've been so pleased with the tone, I see no reason to swap it out yet. Find contact's direct phone number, email address, work history, and more. I bought two bridges from Bart, one ebony over teak and the Dark Star. For more information please refer to my profile on LinkedInor see my CV. For some people, the best send-off is one that they would have loved to attendthemselves: a big party. I bought it thinking it would cure my problems, I was right. Joints, feet, cut outs are all done with enough precision to suit my tastes. I emailed Tim about making me a custom bridge. At 2.0 oz., this is now my main bridge. I was amazed at the volume and clarity in this bridge, I would definately buy another one from him. Plenty O' Volume. And as loud as you can play with it, it also works great when you need to "reign it in" and p[lay more delicately. The bridge I was using was making the banjo sound muddy with no note separation. I will go even further to say I have never received a bad bridge from anyone. I ordered two bridges from Bart-for two different banjos. Nicely finished maple, ebony top, Crowe spacing. The tone and volume improved dramatically and if my ears don't deceive me even the clarity and note separation have improved. It's not Ralph Stanley, but it's a decent Bluegrass archtop sound. He made no promises or sales pitches, just a simple "try it out and see what you think". The mid-range comes through loud and sweet. I e-mailed Bart for input on which of his bridges would be right for my OME Triple-X (wih Silverspun tone ring). OK, it's a cheap banjo, and what can you expect. No invoice was included, so I sent Tom an email. They produce great tone, and are very well made. The top cap was nice and tall, allowing me plenty of room to sand down to where I wanted. There she has a vision of her dead husband, but it is really the Babadook in disguise. I asked him to thin it out a little bit and he did just that. The first thing that I noticed after putting the bridge on my banjo was the amount of vibration I could feel through the resonator of my banjo. Very reasonably priced. Bart is one of only a few heros in this business, with his sincere interest in making a superior custom bridge and pleasing his customer. First off, dealing with Bart was a pleasure. I observed the following: Foxes and Fossils is an American band led by Atlanta -based musician Tim Purcell. well where to start purchased 2 of these bridges from doc ,why i wanted a warmer sound on both my RK70 and deering calico ,i explained this to doc and he did the business and they produce the warmer sound i required,and the beauty of this is i can swap and change bridges to my hearts content and get the sound i want at that given moment, thank you doc for all your help and advice it really has been greatly appreciated. The price was about the same as you'd pay for any custom bridge, but considering that this bridge is hand carved as opposed to made with machine tools (drills, saws), it's actually inexpensive for the craftsmanship and work that went into it. I lowered my head tension from G#+ to G#, which improved the bass response and retained treble clarity. James Timothy Purcell, age 60 passed away on Wednesday, July 20, 2022.James Timothy Purcell, age 60 passed away on Wednesday, July 20, 2022.Tim Purcell was born March 21, 1962 to Rita Rose Purcell and James "Terrence" Purcell in San Antonio, Texas. Especially of the lower notes. I don't often take the time to write reviews, however after purchasing my second Bart Veerman 4-String Banjo bridge I felt compelled to share my experiences. When I was looking for a banjo bridge I had a very specific set of requirements in mind. These are nice bridges. I had been using a .656 and had developed a small buzz. These bridges have the Mana (power). The Babadook makes itself visible to Amelia, spooking her by hiding in the background at first, then by turning into a big black silhouette and cornering her in her bedroom. But this Piano bridge is THE best sounding bridge for this old Mastertone that I have ever used,period. It makes a complete connection between all the strings and the head of the banjo. The old bridge, I believe was the original, but am not sure. Files were needed to remove burrs on the ebony saddle. It's the only bridge I've ever bought that was polished! For many years I have been using hard maple and ebony bridges with a Snuffy Smith frosted head, Presto tailpiece,Tony Pass Thin Skirt rim and Curtis McPeake tone ring. in computer science from the University of Utah in 1998, an M.S. Check all background information that MyLife has gathered. No buzzing and the clarity is very good. The bridge cost me under $30. I KNOW EACH BANJO HAS THEIR OWN CHARACTERISTICS BUT THESE BRIDGES GIVE IT THE BEST CHANCE. Because of this, I have found increased volume and better (to my ears) clarity in both the bass and the highs. I prefer to sand from the top as opposed to sanding down the foot; as the latter reduces the stance thickness. Honestly, I bought the walnut because I wanted a banjo to have a woody, mellow, appalachian mountain/minstrelly tone, but now I've heard the brightness from the walnut bridge and am thinking about getting another banjo just so I can appreciate both of the different tonalities offered by them. There are several fine bridge makers out there these days, and I've tried a number of them, but to my ear these bridges of Bart's give the most "punch" while also increasing clarity, depth, and most importantly bass response, relative to the best of the other bridges I've tried. The notch for the 4th string is bigger so there was no problem getting that wound 4th string to seat properly. a hear a crisper note with noticeably more sustain and less drop-off as the note decays. Now if I could just get my pull offs as fast and clean as Dan MenzoneMikem. it hit me as a totally different banjo. I am very, very happy with Barts Bridge. We had 6 band members and a soundman to pay. Today, i received a Virgil Lawson New 2014 Design Bullfrog bridge inmaple/ebony., 11/16" standard, 2.2 g. This bridge appears to be somewhat less bulky than previous models. I got improved clarity, and a big improvement in tone and volume. I didn't have to put as much effort into slides, pull offs,and hammer on. It is only when Amelia stops being scared and comes to terms with her husband's death that the Babadook loses its power over her. And I make nice stuff. Now I wonder why I waited nearly 40 years to do so! Ordered a couple of bridges from Tim, an old piano bridge and a red maple. I have tried the Veerman mystery, Enigma, and archies and they are all some of the best bridges ive played with, for tone, clarity, projection, and note separation. I am very happy with the hole experience. It is a single 12" radiused bridge, 5/8" high. She develops a sleeping disorder and keeps both Samuel and herself inside the house for days on end. I cant say that I am getting the sound that I hoped to get from the banjo, largely because I cant quite put my finger on what sound I thought possible or most desirable, and that might be a function of both the limits of my instrument and operator error. What I can say is that the bridge is a great piece of work, tightly cut, symmetrical, nicely sanded, notched precisely. Bart suggested a two-footed mystery wood bridge.boy was he right!! This wood is recovered from old pianos and is the first one of Tim's bridges I've used in the shop, or on my personal banjos. I had Donald make it with 44mmspacing. Tim Purcell is a Service Technician at A&R Mechanical Contractors based in Urbana, Illinois. One great advantage of the custom compensation is that the string slots are straight on the strings. Engage via Email. In fact, the improvement in response is downright remarkable. All of these criteria play into the design and build process, so getting them right is critical to letting Bart build you a perfect bridge. Tim sent me this 5/8 "piano wood" bridge, with ebony top. I added a bit of height and went to the 44 (JD CROWE) spacing to help the comfort. the banjo still has a nice old timey feel to it, only the notes are clean and defined. Tim is one talented musician, singer, arranger, editor/producer. I used to have a great bridge, but this one blows it out of the water. After trying several top name bridges I always went back to my favorite bridge. What was next? The Babadook is rejected from Amelia and tries attacking Samuel, but is backed into a corner by his mother. Looked so good there it seemed a shame to take it out and use it. The 3rd and 4th string really sing with this bridge on. I should have gotten one of these a long time ago.This is a 1/2" teak, Crowe spaced on a Reiter tubaphone with tight fiberskyn head. Zebra wood has a nice look. I bought two for my main banjos in 2010 and haven't went back. Really clean noting and power up the neck. I have a Deering Deluxe and, as with almost all banjos I have played, it needs a compensated bridge to be accurate over the whole fretboard. Very happy with Bart's service and work over the years, I wont use anything else. Steve's personal attention and fast service was greatly appreciated. Overall the bridge is very nice and looks nice on my banjo.Sound - I found this bridge to have a very bright sound. It's perfect, still warm, the way I like it, sweet, and the tone up the neck is great for those old honky tonk piano lines. So that's what I got with Crowe spacing. These are really great bridges at less than 1/2 the cost of the others. Absolutely terrific in every way (even looks! I've tried an Emerson bridge and a Deering bridge they don't compare with my Snuffy III. One of my favorite things about the bridge is how light weight they are. The boy can play and sing. I can't say enough about the difference in tone and volume that I am now enjoying. spacing bridge from Stringbean45on my Recording King K-80. I bought the Snuffy III to replace the original factory bridge on my Goodtime. All this despite a new mahogany neck and a head that is not overly tight. Now , when Virgil sent me the Frog Bridge , he also generously sent a European Beech bridge that he made and sent me to try. There are a lot of really good bridge makers and bridges out there today. My CV wound 4th string to seat properly, singer, arranger,.... Looked so good there it seemed a shame to take it out a little bit and he did that! But I know I do n't deceive me even the clarity and note separation have improved I know I n't... No promises or sales pitches, just a simple `` try it out and use it a corner his. It thinking it would cure my problems, I would definately buy another from... Beat this bridge made with Bart was a pleasure to thin it out a little bit and he did that! 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